EVA SMITH INSPECTOR ARTHUR SYBIL ERIC SHEILA GERALD

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Inspector Goole: The Catalyst

Status: High (Moral) | Archetype: The Omniscient Interrogator

He creates an "impression of massiveness, solidity and purpose." He is not aggressive, but unstoppable. He controls time, lighting, and the truth.

StartCalm, Methodical
MiddleDominant, Relentless
EndProphetic, Thunderous

🗣️ Vocal Skills

Low, grave, and controlled. Uses silence and pauses as a weapon to make the Birlings crumble.

"Public men, Mr Birling, have responsibilities as well as privileges." Delivery: Hard emphasis on 'responsibilities'. Cut through Birling's bluster.

🚶 Physical Skills

Invades personal space (proxemics). Planted and solid posture—he is the anchor of the scene.

Arthur Birling: The Capitalist

Status: High (Social) -> Low (Moral) | Archetype: The Foolish Father

"Heavy-looking, rather portentous." He represents greed, selfishness, and the refusal of the old generation to learn.

StartPompous, Smug
MiddleDefensive, Blustery
EndTerrified, then Mocking

🗣️ Vocal Skills

Booming and loud. Fast pace when confident, but stammers and hesitates when his authority is challenged.

"The Titanic... unsinkable, absolutely unsinkable." Delivery: Puff out chest. Absolute certainty. Smug smile.

🚶 Physical Skills

"Pigeon-chested." Thumbs in waistcoat. By Act 3, he should appear physically deflated and slumped.

Sybil Birling: The Matriarch

Status: Very High | Archetype: The Ice Queen

"A rather cold woman and her husband's social superior." She represents class cruelty and willful ignorance.

StartIcy, Correct
MiddleIndignant, Haughty
EndBroken, then Defensive

🗣️ Vocal Skills

Precise RP accent. Icy and condescending tone. Only loses control with sharp gasps when Eric is revealed.

"Girls of that class..." Delivery: A sneer on "that class," as if the words are physically disgusting.

🚶 Physical Skills

Rigid spine. Never slouches. Avoids eye contact with the Inspector to show he is "beneath" her.

Sheila Birling: The Transformation

Status: Low (Child) -> High (Moral) | Archetype: The Reformer

Starts as a naive "pretty girl," but transforms into the play's moral conscience and the Inspector's proxy.

StartChildish, Excited
MiddleHysterical, Guilty
EndSocialist, Mature

🗣️ Vocal Skills

Starts high-pitched and "squeaky." Shifts to a low, firm, and serious tone in Act 3.

"But these girls aren't cheap labour - they're people." Delivery: Genuinely angry. Look directly at your father.

🚶 Physical Skills

Starts clinging to Gerald. Ends standing apart from the family, physically isolated by her new morals.

Eric Birling: The Outcast

Status: Low (The Baby) | Archetype: The Lost Boy

"Not quite at ease, half shy, half assertive." Represents a younger generation that is privileged but damaged.

StartAwkward, Drunk
MiddleVolatile, Distress
EndAshamed, Awakened

🗣️ Vocal Skills

Unpredictable volume. Mumbles, then suddenly shouts. Uses fillers ("Um", "Well") to hide guilt.

"You're not the kind of father a chap could go to." Delivery: Bitter resentment. Quiet, then a sudden vocal snap.

🚶 Physical Skills

Constantly fidgets with tie or cuffs. Shows signs of being "squiffy"—uncoordinated and flushed.

Gerald Croft: The Aristocrat

Status: High (Aristocrat) | Archetype: The Charming Denialist

"Well-bred man-about-town." He is charming and polite, but ultimately refuses to join the new generation.

StartSmooth, Confident
MiddleSincere, Guilty
EndRelieved, Complacent

🗣️ Vocal Skills

Polished Upper-Class accent. Voice softens when discussing Daisy, showing genuine but fleeting emotion.

"Everything's all right now, Sheila. What about this ring?" Delivery: Eager, bright tone. Smile. Shows he has learned nothing.

🚶 Physical Skills

Relaxed confidence. Sits with legs crossed. Regains his "strut" immediately when the hoax is revealed.